Producer Rob Fusari calls out Beyonce & Mathew! “Beyonce took credit for my idea!”
Posted in News on February 24th, 2010 by The Prophet
Some people may choose to turn a blind eye to it, but it’s no secret that superstar diva Beyonce has a reputation for lying about her abilities as a songwriter, and has even been proven on multiple occasions to have not written some of the music that has her name on the credits.
Well now popular producer Rob Fusari (best known for working with Lady GaGa) has publicly put Beyonce and her father Mathew Knowles on blast for lying about the #1 hit “Bootylicious”, which Fusari wrote and produced back in 2001 when he first trying to make a name for himself in the industry.
I came up with the idea to build a track using the guitar riff from Stevie Nicks’ “Edge of Seventeen.” I really wanted to play the riff from “Eye of the Tiger,” but I was flipping through my CDs in the studio and I couldn’t find it. But I saw the Stevie Nicks CD and I remembered that the riff was similar.
I figured I’d put the guitar loop on there temporarily, and later go into the studio with a guitar and replay it, because I’d learned, after sampling Stevie Wonder’s “I Wish” for Will Smith’s “Wild Wild West,” that I didn’t want to lose 50% of the publishing. I vividly remember telling Mathew Knowles, “Mathew, you got to book me into your studio and let me replay that riff.” It was Guitar 101! One note!
He didn’t want to do it. So 50% got cut for one note. That whole experience was bittersweet for me.
He then continues, recalling an incident in which he saw Beyonce on TV taking credit for the song, which then led to an altercation with her father Mathew.
I remember watching Barbara Walters interview Beyoncé about “Bootylicious,” and she told Barbara about how she came up with the idea for the track. And I was just like, “What?” I called Mathew-which was a big mistake; I got emotional, and I apologized after-but I called Mathew and said, “Mathew, like, why?”
And he explained to me, in a nice way, he said, “People don’t want to hear about Rob Fusari, producer from Livingston, N.J. No offense, but that’s not what sells records. What sells records is people believing that the artist is everything.” And I’m like, “Yeah, I know, Mathew. I understand the game. But come on, I’m trying too. I’m a squirrel trying to get a nut, too.” {source}
It’s such a shame that certain ‘artists’ can take credit for other peoples work, which in turn takes away from the individual who actually put in the effort in the first place to create the thing in the first place.
This seems to be a norm in the music industry, but many of the people who’s hard work and talent is being stolen don’t really have much of a choice in the matter because often they can be smaller producers/songwriters who need the work or the money and don’t want to jeopardize their future in the music industry by speaking out against somebody much more successful and powerful than themselves.
At the end of the day it’s not just a matter of integrity, it’s also a financial issue because these people then have to unfairly split their royalties with other people.
Unfortunately this ugly practice still goes on today, with Beyonce’s recent record-breaking Grammy win including an award for “Song of the Year” which is given to the composer of the track, not the performer, even though “Single Ladies” was actually written and produced by The-Dream & Tricky and had it’s own vocal arranger who handled the vocal production and arrangements.
Do you think if the perpetrators of these shady acts are called out enough that they will ever stop, or is simply a lost cause?









